IDK What To Do With My Hands
Friday, September 25, 2026
1:30PM to 4:00 PM
Goodheart Collective
2424 Burton Street Southeast
Grand Rapids, Michigan, 49546 (map)
Class Size is Limited to 10 people. Sliding scale and sponsorship opportunities are available - please inquire.
All materials are provided (please bring your phone or other photographic device)
This training/event has been approved by the NASW-Michigan Chapter for 2.5 synchronous General social work CEs: Approval Number 20260925-CA-PS.
"IDK What to Do With My Hands":
Cultivating Somatic Awareness and Navigating Clinical Visibility Through Embodied Self-Portraiture
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Event Description:
How do our embodied experiences, nonverbal cues, and cultural backgrounds influence the way we show up in the therapeutic space? As social workers, developing cultural competence requires examining how we inhabit our own bodies and how our physical presence is perceived by diverse client populations.
In this experiential workshop, clinicians will explore the intersection of somatic awareness and visual self-reflection through embodied self-portraiture. Using accessible digital photography, participants will unpack the unspoken dynamics of clinical visibility, explore nonverbal communication across cultural contexts, and cultivate a more grounded, culturally attuned, and authentic presence in their practice.
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Identify Somatic Indicators: Identify and document at least 3 nonverbal cues or physical tension patterns in self-portraits to apply toward tracking real-time somatic reactions during therapy sessions.
Analyze Cultural Perception Dynamics: Evaluate how at least 2 intersecting identity factors (e.g., race, gender, size, disability) shape clinician visibility, client power dynamics, and nonverbal communication across cultural contexts.
Practice Reflexive Self-Study: Utilize phone-based self-portraiture as an innovative, reflective tool to build confidence, embodiment, and self-awareness in social work practice.
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Ginot, I. (2012). Body schema and body image: At the crossroad of somatics and social work. Journal of Dance & Somatic Practices, 3(1-2), 151-165.
Gremillion, H. (2005). The Cultural Politics of Body Size. Annual Review of Anthropology, 34, 13–32. http://www.jstor.org/stable/25064873
Padfield, D. (2021). The photograph as a mediating space in clinical and creative encounters. In D. Padfield & J. M. Zakrzewska (Eds.), Encountering Pain: Hearing, seeing, speaking (pp. 147–176). UCL Press. http://www.jstor.org/stable/j.ctv15d8195.18
Rodat, S. (2022). Verbal and nonverbal barriers in social work communication. Creative positions in the social sciences.
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Jennifer Berggren is a video director, photographer, and multidisciplinary artist residing in Mid-Michigan. She operates a boutique visual agency, Wondergold Pictures, and teaches workshops that facilitate a hands-on approach to media creation, self-employment in creative fields, and guided self-portraiture. She holds a BA from Michigan State University in Media & Communication with a concentration on Documentary Studies. As a storyteller with over 15 years experience interviewing and engaging people behind and in-front of the lens, she takes a holistic approach to media creation.
More about jenny: jenniferaberggren.com and her business: wondergoldpictures.com
Sara Pulver is a muralist, illustrator, and multidisciplinary artist based in Mid-Michigan. She owns and operates Dear Ollie & Co., an independent stationery and gift shop, where she develops community-centered programming, using creativity as a tool for connection, reflection, and belonging. She leads workshops focusing on creative practice, visual storytelling, journaling, and more, emphasizing on making art accessible to people of all skill levels. Drawing from over a decade of experience in arts administration, public art, and creative entrepreneurship, Sara's facilitation style is rooted in curiosity and play, and the belief that creative expression can deepen self-awareness, foster resilience, and strengthen community.You can find more of Sara’s work at sarapulver.com.